Saturday, July 21, 2012

a baron bridge of the missingippi (2012)

a baron bridge of the missingippi (2012)
brandon lee kramer

the floods of the past five years have caused havoc on the central united states. our so called bible belt is supposed to be exempt from such harsh reality, from the perverse punishment that noah had to endure. instead we, as a geographical entity, have gone through chaos. our crops, university buildings, homes and churches have been devastated by natural disasters; occasions one could hardly fathom, let alone prepare for appropriately. now god has begun his tricks once again. stringent heat for days -no- weeks on end. the sounds of summer have set in only to be overtaken by the biding sting of the sun. the photograph above depicts a reminder that he, or whomever you deem guilty, of such tumultuous cynicism still has a sense of humor. the lake that was once here and the bridge that once led children over the wetlands have both been devoured by his hands. this charlatan says little, but rather flicks his wrist with assertion. "i give you water to take it away," he posits, and destiny ensues. to me, it is funny how we regurgitate the myriad of information we have at our finger tips...

the american narrative is rich: "the end is coming," we say. we are compelled by that notion. columbus said we would find the garden of eden in america. i think we have, and adam/eve were not alone. we have become that manifestation: the ultimate sinners. we deny our responsibility, the truth that we produce our own illnesses, that we cause the lakes to dry up, and that the end is, in fact, not going to happen (like the mayans supposedly said). the irony in it all is that we won't blame ourselves. "how could something so horrific be because of me? the goodhearted, loving parent/sibling/child? i mean no harm... i am just afraid." it is this fear that pushes us forward. we can't take a step back to stop our rampant use of resources, especially amid an economic crisis. we cannot stop production, making more jobs, etc. this just is not in the cards.

i had always wondered what we are in such a big hurry to do. where are we going? surely, we must have some destination, no? is it heaven? is that where our three cars are taking us (we need that many to be american, right)? or is all of this for another reason? to me, it seems that we are not going anywhere, but rather trying to create as many detours as we can to obscure the line of where we are going: to death. though it seems morbid, is this not what all of this is for? we buy fast cars, tvs, bigger houses and more ornate visions only to block the reality that none of this really matters. we are going to die and there is nothing we can do about it. america facilitates the ultimate lie, that of complete self-denial that we have to die. we live for the "embedded now." this point in space-time that we are shielded from the lions and tigers that hunt us, from the starvation that would ensue if a plague really existed in today's usa. it is our middle/upper class relativism that blocks a pure vision of america. we need to wake up and realize that the end is not near, but rather here. we need to do something now, so that the poor that most do not seem to care about do not turn out to be the same goodhearted, loving parent/sibling/child you claim to care about. please, start caring america.

Friday, July 20, 2012

an anonymous assemblage

this photograph sums up a complicated, yet compelling, year thus far. draper (because of the glass and the hat, at least) clearly shines through, but tinged -maybe even tainted- by the surrealistic qualities of what is/is not. are we here? dreaming? or there? before, after or both? i have always felt a deep attraction to donnie darko, an eccentric film about time travel and less obviously about a mythical reenactment of the passion. some would debate the latter, but i think the meditative potential of that statement is something one must truly ponder. regardless, the notion of time travel was brought back to my attention last night after finishing david lynch's twin peaks. i have always pondered what ghosts may be, and have even heard some unsubstantiated claims that science could explain what we perceive as ghosts as overlapping bits of space-time crossing into now. i would not go as far to say i agree, but it is intriguing. this year has brought the eerie, surrealistic nature of life and death to the foreground. ernst becker's pulitzer prize winning the denial of death has been treating me to some of the best reading i have ever come across. it speaks to me: reiterating the hyper-analytic posturings of kierkegaard with post-freudian psychoanalytic theory. it makes me wonder about death, meaning, myths, and the stars. yet with all of this "profound" and indecisive speciousness looming, we our confronted more directly with things that "matter" like society, structure, marriage, love, jobs and money. how and why should we care about these mysterious things when we have reality bashing us in the face everyday? like the picture, this year has made me ask myself: is "it" there? where is "it?" this money they speak of and the millions of jobs that our president is supposed to be creating... where are they? are they real? is any of this real? and when will "it" happen? consider these things in the words of gaston bachelard's wonderful words:

"who speaks? the dreamer or the world?"

photograph taken by koel gibbs 2012. edited by brandon lee kramer © 2012

Monday, April 23, 2012

the ethics of david foster wallace

“This is a generation that has an inheritance of absolutely nothing as far as meaningful moral values, and it’s our job to make them up.”

-David Foster Wallace, 1993 Whisky Island interview

oh woman, oh woman, why?

"...perhaps the most damning characteristic of women is that, in the face of horrifying evidence of their situation, they stubbornly claim that, in spite of everything, [they] 'love' [their] Oppressor."

-Ti-Grace Atkinson, Amazon Odyssey, p. 105

This is quoted in Hanne Blank's Straight: The Surprisingly Short History of Heterosexuality, which is a great read I highly suggest you take the time to read.

Thursday, April 12, 2012

a footstep forward...

The Aymara Peoples of Peru, Bolivia and Chile have a unique manifestation of time. Where most European derivative time perception sees the flow of time as both forward and right-directed, the Aymara feel past as being directionally forward (nayra, which also means eye, front and sight). Backward then would represent the future (qhipa), something yet to be seen? This, of course, has not been passed down to the next generation (Nuñéz and Sweester 2006); something Steven Pinker probably could not account for with his rigid genetic determinism (Pinker 1994). It seems that temporal hegemony is not only limited to the rhythms and schedules of post-industrial socities (Bluedorn 2009), but also the temporal embodiment of acculturated indigenous of South America.


Tuesday, February 21, 2012

shrine of the dendrites (2012)

shrine of the dendrites (2012)
brandon lee kramer

between galena, il and dubuque, ia is a small abandoned stone building, pillaged by a unforgiving, weathered time. the western sunsets reign over its decaying last gasps. sprouting dendrites of a sickly brown grow at the base of its convoluted foundation, blurring the distinction of passer-byes: those still willing to feign a vacuous glance. there, amid the moss and mold is a morceau of what freedom was, what our homeland was founded on. when the fox co-existed with the bucolic whispers of mother nature. when the finch sang in an unabashed melody of adolescence, not fearing anything -one with the stars- before they were just that. would whitman or thoreau divulge petty secrets to the tree frogs if they were still here?  warn them to be patient, assure them of an eventual coup d'etat against the foolish harlequins of the mississippi harbor? or would they rather hold their tongues? like i, like we, should? waiting. waiting. waiting, for them all to devour themselves in the push-button politics of our au courant debacle. if we just sat quiet, minds deaf and hands still, maybe we could hear the echos of chernobyl and auschwitz, of waterloo and thermopylae, pleading for a tranquil homophily to bleed through. to espouse, not divide. we could, we can be a consort for the novel, the most romantic of sorts. one that finds a refined valor in the decay of defiled -tested and true- world we are now: the lost time of a lost world. 

Brandon Lee Kramer © 2012

fumar mata (2012)


fumar mata (2012)
brandon lee kramer

composed of used cigarette cartons from various european countries (18 total) and metal no smoking sign, mounted on cardboard, 61 x 51 cm

Brandon Lee Kramer © 2012